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Yamaha today launched the NX Series of six nylon-string acoustic-electric guitars featuring contemporary body styles and proprietary preamp/pickup systems. 3 year warranty 30 days money back Express shipping Yamaha FGX3 | MUSIC STORE professional | en-OT All solid electroacoustic dreadnought, thermally treated Sitka spruce top, Atmosfeel pickup, hardbag Description Specs Rated 5/5 Reviews A Premium Concert Acoustic-electric from Yamaha’s Retooled Red Label Series With its sleek and comfortable Concert body style, the Yamaha Red Label FSX5 artfully balances warmth and clarity, comfort and output. If you’re playing solo, you might want to opt for more of the midrangey mic sound in your mix, while the more defined highs and lows of the piezo/transducer sound may be preferable for players who need to be heard over a full band. Necks continue the mahogany theme, both are scarfed just under the Gotoh tuners and finish with the slight V-shape at the top of the headstock, which was a characteristic of those early FG models. But although this works well in a recording studio context, it’s of limited use when you’re onstage with a band. The fretboard is ebony, with 20 well-seated medium frets with pearl dot position markers in the accustomed places.Â, The nut and saddle are urea, while the pickguard is some sort of black plastic material. Sorry, but we seem to be having a problem. We already have your request. As is typical in acoustic-electric guitars, the piezo sensor is located in the bridge. Atmosfeel leverages an under-saddle piezo, an internal mic and a top wood transducer to capture the most realistic sound possible. Future Publishing Limited Quay House, The Ambury, Up until now, the approach that best captures the instrument’s distinctive tone has been to stick one or more good microphones in front of your guitar. All NX guitars come with solid tops, with the NTX5 and NCX5 featuring solid European spruce. These guitars are inspired by the original FG Red Label acoustic guitars of the 1960s, … The new Yamaha Atmosfeel pickup and preamp system (available in the “X” models of the FG Red Label acoustic guitar series: the dreadnought-size FGX3 and FGX5, and the concert-size FSX3 and FSX5) uses the best of both worlds. Yamaha's Built-in SRT powered system reproduces a sound that mimics the unmistakable sound of a high-end acoustic guitar. A little more explanation (but not much) is necessary for the final knob, Bass EQ. Both the Master Volume and Bass EQ knobs are at 12 o’clock in all three examples: https://hub.yamaha.com/wp-content/uploads/2019/07/Yamaha-FGX5-Test-Pickup.wav, https://hub.yamaha.com/wp-content/uploads/2019/07/Yamaha-FGX5-Test-Mic.wav, https://hub.yamaha.com/wp-content/uploads/2019/07/Yamaha-FGX5-Test-Blend.wav. That’s an assignment that’s challenged design engineers for nearly a century. The under-saddle piezo pickup including individual string sensors. It controls a peaking EQ filter, which boosts or lowers particular frequencies in the low-mid range — the very kinds of frequencies that can lead to unpleasant onstage feedback when turned up too loud. Yamaha pairs it with solid mahogany back and sides to give it a warm and woody tone and adds to its strong midrange. The Yamaha NCX5 Electro Classical Guitar features a Yamaha Atmosfeel preamp and pickup system. Suddenly there was hope - a range of guitars that not only sounded perfectly reasonable and stayed in tune, but were a relative breeze to play. To handle treble frequencies instead, the Atmosfeel system employs an ultra-thin sheet transducer — a new, proprietary Yamaha design — which is located under the guitar’s soundboard, below the saddle. Again, both the Master Volume and Bass EQ knobs are at 12 o’clock in all three examples: https://hub.yamaha.com/wp-content/uploads/2019/07/Yamaha-FGX5-Test-2-Pickup-normalized.wav, https://hub.yamaha.com/wp-content/uploads/2019/07/Yamaha-FGX5-Test-2-Mic-normalized.wav, https://hub.yamaha.com/wp-content/uploads/2019/07/Yamaha-FGX5-Test-2-Blend-normalized.wav. It features a solid top. BA1 1UA. (See our blog article “Getting Amplified” for more information.) Chords have an appropriate amount of shimmer; using either fingers or a pick, single notes ring out clearly. Of course, you should let your own ears decide whether the sound of the Atmosfeel is right for your playing style. This is well suited for steel string players who want the sound of a nylon string guitar. All rights reserved. You will receive a verification email shortly. Controls include Mic Blend, Treble EQ, and Master Volume controls. The only obvious sign of the Atmosfeel’s presence in these models is a set of three small knobs — Mic Blend, Master Volume, and Bass EQ — on the side of the guitar. This innovative system lends a natural, three-dimensional sound to your guitar via a 3-way sensor setup. volume worked an impressive magic trick: Not only was there no feedback, but the higher volume compensated for the attenuation of the lo-mids, making it seem as if no tonal change had occurred. For the electrically amplified models (FSX/FGX), Yamaha uses the newly developed Atmosfeel three-way pickup system, which offers a … Yamaha’s guitar specs reveal they use a pickup and preamp system which they call Atmosfeel™. A few initial noodles reveal a good combination of treble and bass, the former perhaps a little on the light side, but no cause for concern to our ears. As in the previous three clips, the Mic Blend knob is first turned all the way to the left (all pickup), then all the way to the right (all mic), and finally to 12 o’clock (equal blend of both). Unless, that is, you don’t mind the potential havoc (like feedback or loss of signal) that any sudden movement can cause to your overall sound — or you just love standing in the exact same spot for your entire set. Yamaha pairs it with solid mahogany back and sides to give it a warm and woody tone and adds to its strong midrange. Yamaha NTX1 models (Image credit: Yamaha Guitars) The entry-level NTX1 (£422 / $740) and NCX1 (from £422 / $740 depending on wood top option) include the same piezo pickup but without the Atmosfeel sensors. But here’s one thing that nobody’s ears can deny: This is one pickup system that makes an acoustic guitar actually sound like an acoustic guitar — and that’s no easy feat. The Yamaha NCX3C acoustic-electric nylon-string guitar was designed for nylon-string players seeking a professional-quality instrument with exceptional amplified sound. Furthermore, ‘Yamaha’ was the name appearing on the headstocks of some of the prime movers of the British folk movement - Bert Jansch, for instance, was an early adopter.Â, After quietly celebrating the 50th anniversary of the iconic red label acoustics in 2016, Yamaha decided it was time to revisit the range, employing some modern tweaks and upgrades along the way. Capturing only the mid and low-mids. The three components comprise a piezo in the bridge, an internal mic and a treble sensor under the soundboard. Atmosfeel Pickup and Preamp System. He lives in New York City. The Atmosfeel electronics, by the way, make the Yamaha a better-than-serviceable performance partner, too. The differences are subtle, measured in just millimetres, but the slightly wider body contributes to the warm FG sound...”Â, So there you have it. Visit our corporate site. The Yamaha Atmosfeel pickup system provides exceptional amplified sound at performance-level volumes, with zero audio hiccups. The three components comprise a piezo in the bridge, an internal mic and a treble sensor under the soundboard. Mixing the voices from the various components is easy and instinctive - it took us literally seconds before we found a sound that was absolutely spot on through our AER Compact 60 amp. This addresses the main problem that many players have with piezo pickups: their harsh, brittle-sounding high end. NX Series guitars offer impressive What’s not typical is that the piezo is set to capture only the instrument’s lower frequencies. Anyone who went to buy an acoustic back in the swingin’ 60s would’ve been met with the same problem.Â, You either raided the piggy bank and looked at the high end of the market, which was the expensive imported USA ranges from the likes of Gibson and Martin, or you took your chances at the more affordable end of the price range. Finally, the mini-mic, placed inside the body on the left side of the upper bout, fills out the low and mid parts of the sonic spectrum. His writing has appeared in The New York Times, Rolling Stone, Musician, The New York Observer, Guitar Aficionado, Billboard, Acoustic Guitar, Mojo, and many other publications. 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